The Introduction of Sound in Motion Pictures

In the mid-1920s, the film industry had met its newin from New York to direct the actors who mostly
rival: the radio. Because of it, a lot of people stoppeddid not know how to talk in their roles. It turned out
going to the movies and the movie industry wasthat many romantic leading men had squeaky voices
threatened. Amazingly however, scientists in theand their leading ladies did not have alluring voices.
United States and abroad had simultaneouslyThe rise of sound pictures became the end of a lot a
discovered a way to add sound to silent pictures.silent screen stars. It also led to the fall of the great
This discovery would save the film industry. The firstpantomime comics.Sound pictures were made into
sound pictures made were short films of concertmusical comedies. The Coconut in 1929 introduced
performances. The movie produced sounds andthe four Marx Brothers. They brought a new kind of
music of the performers which thrilled the audiencenoisy farce. This brand of comedy depended much
very much. The people started returning to theon the humor of the dialogue and the art of
movies.But it would not be until October of 1927 withpantomime. These madcap comedians however
a film called The Jazz Singer that the possibilities ofeventually faded. A new kind of comedy was
sound were revealed. The Jazz Singer starred Aldeveloped to fill the void left by the comedians. They
Jolson and had three song numbers and a few linesintroduced talking pictures known as sophisticated
of spoken dialogue. Aside from these, it was a silentcomedy which placed wise guys in unexpected
movie but the audiences were raving over it. Thesituations. Memorable performers in these roles were
Jazz Singer was known as the movie that "talked"Carole Lombard, Irene Dunne and William Powell.Soon
and was called a "talkie". The movie fascinatedafter the production of sound films came the
thousands and packed the theaters. The radio hadgangster pictures. The earliest gangster films were
met its match.With the success of The Jazz Singer,inspired by prohibition racketeering. Movies like Little
the full transition from silent to all-talking moviesCaesar of 1930 and Public Enemy in 1931 had violent
would take over a year. The delay was due to manymelodramas that introduced a harsh reality to the
technical problems. The equipment had to beaudience. These movies introduced a new batch of
perfected and the sound projectors and soundtracksmasculine stars with the likes of James Cagney,
had to be standardized so that films can be shown inEdward Robinson, Spencer Tracy and Clark
all theaters. Then, the theaters had to be installedGable.After the gangster movies, films in different
with the sound projectors. Also, talking moviesgenres were made. With this began the Golden Age
introduced a new set of problems concerning writing,of Sound. Shown on the screens were fine dramas,
directing and acting. The writers had to write dialogscomedies and action-adventure films. Also strong
and the actors had to learn how to say them. Towere the musicals with Jeanette MacDonald and
solve this problem, stage playwrights andNelson Eddy operettas and the dancing team of Fred
top-of-the-line dramatic authors were recruited toAstaire and Ginger Rogers as the favorites.
write the dialogue. Stage directors were also rushed